NAME dcraw - command-line decoder for raw digital photos
SYNOPSIS dcraw [OPTION]... [FILE]...
DESCRIPTION dcraw decodes raw photos, displays metadata, and extracts thumbnails.
OPTIONS -v Print verbose messages, not just warnings and errors.
-c Write decoded images or thumbnails to standard output.
-e Extract the camera-generated thumbnail, not the raw image. Youll get either a JPEG or a PPM file, depending on the camera.
-z Change the access and modification times of an AVI, JPEG or raw file to when the photo was taken, assuming that the camera clock was set to Universal Time.
-i Identify files but dont decode them. Exit status is 0 if dcraw can decode the last file, 1 if it can t. -i -v shows metadata.
dcraw cannot decode JPEG files!!
-d Show the raw data as a grayscale image with no interpolation. Good for photographing black-and-white documents.
-D Same as -d, but totally raw (no color scaling).
-h Output a half-size color image. Twice as fast as -q 0.
-q 0 Use high-speed, low-quality bilinear interpolation.
-q 2 Use Variable Number of Gradients (VNG) interpolation.
-q 3 Use Adaptive Homogeneity-Directed (AHD) interpolation.
-f Interpolate RGB as four colors. Use this if the output shows false 2x2 meshes with VNG or mazes with AHD.
-B sigma_domain sigma_range Use a bilateral filter to smooth noise while preserving edges. sigma_domain is in units of pixels, while sigma_range is in units of CIELab colorspace. Try -B 2 4 to start.
-b brightness By default, dcraw writes 8-bit PGM/PPM/PAM with a BT.709 gamma curve and a 99th-percentile white point. If the result is too light or too dark, -b lets you adjust it. Default is 1.0.
-4 Write 16-bit linear pseudo-PGM/PPM/PAM with no gamma curve, no white point, and no -b option.
-3 Same output as -4, written in Adobe PhotoShop format.
-k black Set the black point. Default depends on the camera.
-a Automatic color balance. The default is to use a fixed color balance based on a white card photographed in sunlight.
-w Use the color balance specified by the camera. If this cant be found, print a warning and revert to the default.
-r mul0 mul1 mul2 mul3 Specify your own raw color balance. These multipliers can be cut and pasted from the output of dcraw -v.
-n Same as -H 1.
-H 0 Clip all highlights to solid white (default).
-H 1 Leave highlights unclipped in various shades of pink.
-H 2-9 Reconstruct highlights. Low numbers favor whites; high numbers favor colors. Try -H 5 as a compromise. If that s not good enough, do -H 9, cut out the non-white highlights, and paste them into an image generated with -H 3.
-m Same as -o 0.
-o [0-5] Select the output colorspace when the -p option is not used:
0 Raw color (unique to each camera) 1 sRGB D65 (default) 2 Adobe 1998 D65 3 Wide Gamut D65 4 Kodak ProPhoto D65 5 XYZ
-p camera.icm [ -o output.icm ] Use ICC profiles to define the camera s raw colorspace and the desired output colorspace (sRGB by default).
-p embed Use the ICC profile embedded in the raw photo.
-t [0-7,90,180,270] Flip the output image. By default, dcraw applies the flip spec- ified by the camera. -t 0 disables all flipping.
-j For Fuji Super CCD cameras, show the image tilted 45 degrees, so that each output pixel corresponds to one raw pixel.
-s For Fuji Super CCD SR cameras, use the secondary sensors, in effect underexposing the image by four stops to reveal detail in the highlights.
For all other cameras, -j and -s are silently ignored.
SEE ALSO pgm(5), ppm(5), pam(5), pnmgamma(1), pnmtotiff(1), pnmtopng(1), gphoto2(1), cjpeg(1), djpeg(1)
BUGS The author stubbornly refuses to add more output formats.
Don t expect dcraw to produce the same images as software provided by the camera vendor. Often dcraw yields better results!
AUTHOR Written by David Coffin, dcoffin a cybercom o net
May 21, 2006 dcraw(1)